“Go Anyway” is an upbeat, foot-tapping Louisiana Delta blues testimony that follows a young Louisiana man who believes Jesus has called him to a foreign mission field. Told he is too young, untrained, and might embarrass those who send him, he sells his old four-wheel-drive Dodge, buys the one-way ticket he can afford, and goes anyway. From Louisiana bayous, crawfish, jambalaya and Creole gumbo to distant mountains, jungles, beans, rice and plantains, the song carries decades of missionary life through humor, hardship and faith—including a homemade cake from Mama that takes three months to arrive green and inedible. Beneath the laughter is a deeper story of parents who worried, a son who kept following, and a God who remained faithful. Driven by fingerpicked resonator guitar, banjo, harmonica and a stomping Southern blues groove, the story eventually reaches the present day. The missionary is older, but the call isn't finished. After a lifetime of learning how to give and make his own way, he is learning to receive and allow others to stand with him. Through every season, the testimony remains the same: different hands, same Hand; different seasons, same King. All the glory belongs to Jesus. Click to download a free zip file with the mp3, images and a Generosity Almanac of your very own.

Soulful contemporary congregational worship with an organic, earthy groove and deep rhythmic pocket. Warm toms subtly evoke footsteps as acoustic guitar, piano, bass, atmospheric electric guitar and layered vocals build from intimate simplicity into a powerful full-church sound. Spacious and unhurried, with natural body movement rather than a driving concert-rock feel. The arrangement grows from one solitary voice into congregation and choir, reflecting one step of faith becoming a worldwide Gospel movement. Warm soulful lead vocal, highly singable chorus, restrained vocal runs, cinematic build and Gospel influence. Purposeful, worshipful and Christ-centered, carrying faith, surrender, commissioning and the sense of an unstoppable Gospel moving through generations and nations.

Three-Foot World is a reflective country-folk ballad about a seasoned military operator who spent a lifetime learning how to survive, lead, protect others, and “work the problem.” Those skills carried him through danger, injury, loss, and responsibility—but they could not heal the invisible wounds that surfaced when the mission ended and the noise grew quiet.

As the song unfolds, strength gives way to honesty. The man who knew how to carry others realizes he never learned how to ask for help when the deepest wound was inside himself. In the silence, he finally calls out to Jesus.

With acoustic guitar, restrained piano, pedal steel, understated drums, and a weathered male vocal, Three-Foot World is a song about hidden pain, loneliness, surrender, and the difficult courage of admitting that even strong people need help. Its final movement offers quiet hope: the past still exists, the future is still uncertain, but the present is no longer lonely because Jesus heard his cry.

LIKE CLOCKWORK — I Can Testify

There are seasons when we cannot tell you how God will make a way. We cannot tell you when the answer will come or whose hands He may use. But after walking with Him through enough seasons, there is something we can say:

We can testify that He is faithful.

“Like Clockwork” was born from a time of Bible study, testimony, and reflection on the difference between trusting a timetable and trusting the King who holds all time. Scripture continually brings us back to the character of God: His mercies are new every morning, His Word is sure, He remains King over changing times and seasons, and He calls His people to be His witnesses.

Different hands. Same Hand. Different seasons. Same King.

Along with the song, we are freely sharing an in-depth Bible study, the MP3, and the song graphic so that individuals, churches, Bible-study groups, worship teams, dancers, and ministries can receive the message and share it with others.

Freely received. Freely given. For the glory of the Lord.

May this song become more than something you hear. May it awaken your own remembrance of His faithfulness until you can say with us:

“I can testify.”

KingdomTunes.org PointingToJesus.org

Short Description

LIKE CLOCKWORK — I Can Testify 🎶

We may not know how. We may not know when. But we know the One who holds all time.

Different hands. Same Hand. Different seasons. Same King.

We’re sharing the song MP3, graphic, and an in-depth Bible study freely for individuals, churches, worship teams, dancers, and ministries.

Freely received. Freely given. For the glory of the Lord.

KingdomTunes.org | PointingToJesus.org

The Sanctuary is a soulful, piano-driven anthem about the most important territory we will ever guard: the human heart.

Moving from wounds, temptation, anger, and the struggle for control toward surrender, deliverance, and living water, the song asks one defining question: Who will rule this heart of mine?

Drawing from Jesus’ temptation in the wilderness and His surrender in Gethsemane—“Not my will, but Yours be done”—The Sanctuary declares that pain, fear, pride, bitterness, fame, and woundedness may knock at the door, but they do not get the throne.

With warm male vocals, expressive piano, saxophone, gospel/soul textures, and an emotional journey from searching to homecoming, The Sanctuary is ultimately a prayer:

“Jesus, this sanctuary is Yours.”

Download the MP3 for free and get in the zip file the graphics, a 14 page teaching and the lyrics separately with notes. All freely given because they were freely received. If you ever feel led to donate you can give on KingdomTunes.org or at PointingToJesus.org

SING FOR ONE (Wor$hip $ong$) is a soulful wake-up call from the heart of a worship leader who remembers when he sang for One—before the stages, recognition, contracts, percentages, and applause began competing for the rhythm of his heart.

At the height of his success, performing before thousands, everything changes when he sees Jesus sitting silently in the very last seat of the arena. No rebuke is spoken. One penetrating look brings him back to David—the shepherd who worshiped beneath the stars when God alone was his audience—and to David's prayer: “Create in me a clean heart, O God.”

This is not a call to reject modern worship music or those who create it. It is an invitation to wake up, understand the realities surrounding the worship industry, guard the heart, and remember Who worship is for. The song moves from performance to repentance, and from repentance back to pure worship, with one defining prayer:

“You found a man after Your own heart—Father, find that man in me again.”

A Kingdom Tunes song rooted in Freely Received / Freely Given, pointing every singer, songwriter, musician, and worshipper back to Jesus—and teaching us again to sing for One.

The Better Word — The Mind of the Missionary is a powerful, Jesus-centered worship anthem about standing on what God has spoken when circumstances, fear, and opposition speak something different.

Moving through the imagery of Elisha, David, Gethsemane, Calvary, and Israel stepping into the Jordan, the song declares that obedience does not depend upon seeing the road ahead. The terrain may change, the tools may change, and the battle may change—but Jesus does not change.

At its heart is the missionary resolve to keep going, keep standing, and keep obeying: “The blood speaks a Better Word. The Word of God still stands.”